Nadav Kander for The New York Times On a fall day in Paris, in the luminous courthouse built by Renzo Piano near the Porte de Clichy, the Russian artist Pyotr Pavlensky sat in the dock, listening to an interpreter’s translation of the proceedings against him. Pavlensky had spent the […]

Cliquez ici pour lire la suite The Dangerous Art of Pyotr Pavlensky